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A Quick Note Before You Watch This
I used AI to help write these lyrics, make the music, and put together the video, as you would probably guess.
I have spent countless hours making these songs and people just assume oh you had AI do it, like that means it took an afternoon. Suno doesn’t know what’s in my head, and I don’t play an instrument, so I had to fight it through dozens of attempts just to stop it from adding cymbals I never asked for, stop a piano from sounding like a carnival ride, and for Neural Frames to get three seconds of a specific person standing in a specific room to actually look right. The lyrics went through more drafts than I can count and most of the words on the page are mine — Claude was more of a writer’s assistant and a sounding board, and I ended up having to write most of it myself in the end.
The technology’s not there yet, or at least I can’t get it there yet. People call this AI slop and I get why, but it still takes days and days even with all the tools, because it can’t actually make something specific, someone has to keep saying no to it until it gets close to right.
This is close to what I was going for, not exact, but it’s in the ballpark. Honestly, at this point I’ve been staring at it so long I don’t know if I can even tell anymore.
Five songs in, and here’s the thing I keep coming back to: none of this was supposed to take this long to say.
I started this project because I was angry, and I wanted somewhere to put it that wasn’t just another comment nobody reads. Old MacDonald (Had Enough) was where it started — a joke that wasn’t really a joke. Party of One and Living the Dream were the specifics — the actual, individual ways this country grinds people down. US Against Them was the turn — the moment I stopped writing about grievances and started writing about who benefits from us not noticing we share them.
“Look Up” is the last one, and it’s the one where I stopped being polite about it.
What This Song Actually Is
There’s no metaphor in this one. No character, no framing device. It’s a list — the whole catalog, everything from the last few years that’s made me want to put my head through a wall, one line after another, no breath between them, until it can’t be ignored anymore. Inflation. Healthcare denials. The grift. The judges. The crackdowns. The people who died along the way. All of it, back to back, the way it actually feels living through it — not one crisis at a time, but all of them, at once, constantly.
Musically it’s built on the same structural trick as “We Didn’t Start the Fire” — because that song understood something true: overwhelm is the point. You’re not supposed to catch every reference. You’re supposed to feel the weight of how much there is.
But here’s where it breaks from that formula, and where the whole thesis of this campaign lands: the song isn’t asking who’s to blame for each individual thing on the list. It’s asking why we keep answering that question wrong.
The Actual Argument
Every chorus says the same thing, three times, with the stakes rising each time:
Who’s to blame?
Look up, not around
It’s the rich, not each other
Who keep us down
That’s the whole argument. Not left versus right. Not us versus them, at least not the “them” you’ve been handed. Look up, not around. The people telling you to be furious at your neighbor, your coworker, the guy with the different sign — they’re not the ones who’ve spent fifty years redesigning the rules in their own favor. The wealth gap doesn’t care what you voted for.
There’s a moment in the middle of the song where I stop the list entirely and just say it plainly, because I think it’s the one thing in here that actually needs to be said without any device or trick:
They don’t want us to see
How much we agree
You cheer them on to fight
Till they come for YOUR rights
That’s the whole trap, in four lines. The division isn’t an accident. It’s the product.
Why This One Ends the Way It Does
Before the final chorus, the song stops being a list and becomes something else — a handful of names. People who didn’t get to see how any of this turns out. I didn’t rhyme those lines on purpose. Everything else in this song is built to move fast and hit hard; those lines are the one place it needed to just stand still.
And then it turns. Not into hope, exactly — into something closer to a demand:
It was never each other
Take it back
Make it ours
Look up
Enough is enough
That’s the whole campaign, distilled down to five lines. Five songs to get there.
Watch Them All
If you want the full arc, start from the beginning: Old MacDonald (Had Enough) → Party of One → Living the Dream → US Against Them → Look Up.
I don’t have a tidy way to close this out. I’m not under the impression that a protest song changes anything by itself. But I got tired of being quiet about what I was watching happen, and this was the way I knew how to do something about it. If any part of this lands the way it’s supposed to, you already know what to do with it.
Enough is enough.


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